Art Without Boundaries?

Abstract

There was a change in the aesthetic perception of art in the Sixties and Seventies. That was the period when so called modernity reached its peak and when it became possible to articulate very transparently that many barriers between »fine« and commercial art had fallen. Although the first such theoretical perceptions had been formulated and elaborated much earlier (most outstandingly by Walter Benjamin and later on, among others, by Jean François Lyotard) it can be argued that before the mentioned period