Ovire, odsotnost in tišina kot metodološki temelji raziskovanja romskih in sintskih glasbenikov in glasbenic v severni Sloveniji
DOI:
https://doi.org/10.3986/Traditio2025540202Ključne besede:
romska in sintska glasba in kultura, manjšine, antropologija tišine in odsotnosti, arhivske in etnografske metode, zgodovinska etnomuzikologija, Zgornja Savinjska dolinaPovzetek
Pri raziskovanju romskih in sintskih glasbenikov in glasbenic iz severne Slovenije se avtor sooča z večjimi metodološkimi ovirami, kot so preminuli posamezniki, njihova odsotnost v arhivih, molk med njihovimi potomci in anekdotična narava podatkov. V članku obravnava metodološke pristope k pomanjkljivim in popačenim informacijam, k tišini, molku in odsotnosti v arhivskih in etnografskih virih ter k preoblikovanju teh ovir v produktivna znanstvena prizadevanja.
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