Kako uprizarjati sovjetske opere v 21. stoletju: ruska glasbena dediščina med oživljanjem in bojkotom
DOI:
https://doi.org/10.3986/Traditio2025540107Ključne besede:
opera, Sergej Prokofjev, stalinizem, glasbena dediščina, 21. stoletjePovzetek
Med rusko-ukrajinsko vojno je razpravljanje o »sovjetski« operi zunaj Rusije dobilo nove razsežnosti. Vzporedno pojavljanje bojkota ruske glasbe in ponovni vzpon sovjetske ruske glasbe sprožata vprašanja o moči, ki jo glasba uteleša, hkrati pa spodbijata pojmovanje glasbe kot ločene od političnih dogajanj. Članek uokvirja kompleksno osebnost Sergeja Prokofjeva in njegovih dveh »sovjetskih« oper v kontekstu nedavne ponovne oživitve sovjetske operne produkcije v Rusiji.
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