Language
Talbot, Michael, United Kingdom
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De musica disserenda Vol. 19 No. 1 (2023): Secular Music contrafacta in the Church Archives of Slovenian Styria - Articles
The Singer and Composer Henry Holcombe (1690–1756)
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De musica disserenda Vol. 2 No. 2 (2006) - Articles
The ‘stylised’ dance in Italian sonatas of the late Baroque
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De musica disserenda Vol. 5 No. 1 (2009) - Articles
The horizontal spacing of musical symbols: a brief historical overview
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De musica disserenda Vol. 7 No. 1 (2011) - Articles
Fortunato Chelleri’s Cantate e arie con stromenti (1727): A souvenir of London
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De musica disserenda Vol. 10 No. 1 (2014) - Articles
What Lists of Subscribers Can Tell Us: the Cases of Giacob Basevi Cervetto’s Opp. 1 and 2
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De musica disserenda Vol. 11 No. 1-2 (2015) - Articles
A Busy Copyist and a Shy Composer: Two Sides of Francesco Barsanti (ca. 1690–1775)
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De musica disserenda Vol. 14 No. 1 (2018) - Articles
Precious Offerings from Pomerania: Three Concertos and a Sinfonia by Christian Michael Wolff (1707–1789)
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De musica disserenda Vol. 16 No. 1 (2020) - Articles
Vivaldi or Not Vivaldi? The Unreliable Attribution of the Sonata RV 34
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De musica disserenda Vol. 17 No. 2 (2021) - Articles
The Organ Concertos of Henry Burgess (1718–1786)
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