Minus ena ali Človeška napačna mera

krojaško nadjazovstvo in etika neposlušnosti

Avtorji

  • Russell Sbriglia

DOI:

https://doi.org/10.3986/fv.46.2.05

Ključne besede:

Joan Copjec, Jacques Lacan, etika psihoanalize, nadjaz, perverzija, fantazma, rasizem

Povzetek

Ta članek obravnava četrto poglavje knjige Read My Desire Joan Copjec, »Krojaški nadjaz«, in iz te obravnave nadalje razvija kritiko rasizma kot oblike perverzije, ki rasnega drugega postavlja kot nadjazovskega Drugega, za katerega se domneva, da skriva obsceni užitek oziroma »voljo do užitka«. Medtem ko so druga poglavja knjige Read My Desire v zadnjih tridesetih letih odigrala ključno vlogo pri oblikovanju lacanovske teorije – zlasti lacanovske filmske teorije (»Zaklenjena soba/Osamljena soba«) in lacanovske teorije seksualnosti (»Spol in evtanazija uma«) –, poglavje »Krojaški nadjaz« še ni bilo deležno pozornosti, ki si jo zasluži zaradi svojega prispevka ne le k lacanovski teoriji rase, temveč tudi k lacanovski etiki na splošno. Da bi to pomanjkljivost odpravil, članek najprej ponovi Copjecino kritiko perverznega »krojaškega nadjaza«, ki se kaže v seriji fotografij kolonialnih drugih v oblačilih, ki jih je posnel znani francoski psiholog G. G. de Clérambault, da bi jo jasneje izpostavil. Nato Copjecino analizo Clérambaultovega krojaškega nadjaza uporabi na novejših, veliko bolj sadističnih primerih krojaškega, nadjazovskega nasilja nad postkolonialnimi drugimi po napadih na Svetovni trgovinski center in Pentagon 11. septembra 2001. S tem esej pokaže, da je za ustrezno razumevanje tako predvidljivosti kot nujnosti sklepnega poziva knjige Read My Desire k »neki drugi logiki nadjaza« treba vzeti resno »krojaški nadjaz«.

Prenosi

Podatki o prenosih še niso na voljo.

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Objavljeno

2026-01-08

Kako citirati

Sbriglia, R. (2026). Minus ena ali Človeška napačna mera: krojaško nadjazovstvo in etika neposlušnosti. Filozofski Vestnik, 46(2). https://doi.org/10.3986/fv.46.2.05

Številka

Rubrike

Joan Copjec in Read My Desire: Lacan Against the Historicists, trideset let pozneje