Absense ali ekstimno mesto umetnosti
DOI:
https://doi.org/10.3986/fv.45.1.09Ključne besede:
umetnost, estetika, smisel, nesmisel, neumnost, ekstimnost, Heidegger, Lacan, BalzacPovzetek
Menim, da je za to, da bi mislili Umetnost v njeni razliki od umetnosti (množina), treba resno jemati njen manko smisla. Ta manko je simptomatičen za zgodovinski prelom s smislom umetnosti kot technē (know-how), ki ostaja dejaven, ko govorimo o umetnostih. Če pa umetnost ni (neka) umetnost, kaj potem sploh je? V tem eseju trdim, da je umetnost tisto, kar povzroči odsotnost smisla. Da bi opredelili odsotnost smisla (absent sense) umetnosti, njeno odsotnost (absense), sta potrebni tako zgodovinska analiza prekinitve umetnosti s technē in obvladovanjem, ki ga ta implicira, kot tudi ontološka določitev načina, kako iz te izgube naredi stvar, ki služi poneumljenju. Umetnost je torej neločljivo povezana z neumnostjo. S spoprijemanjem z deli Aristotela in Heideggerja, Batailla in Balzaca, Baudelaira in Lacana zagovarjam tezo, da umetnost zaznamuje ekstimno mesto odsotnosti smisla (absense).
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