Oscilacija sodobnih teles med biopolitiko in nekropolitiko

spopad Tanie Bruguera s strukturami moči

Avtorji

DOI:

https://doi.org/10.3986/fv.44.2.12

Ključne besede:

performans, politična ekonomija, nekropolitika, biopolitika, Kuba, Tate Modern, Tatlinov šepet

Povzetek

Članek obravnava umetniška dela Tanie Bruguera, 10,148,451 (2019, Tate Modern, VB) in tri različice Tatlinovega šepeta #6 (2009 in 2014, Havana; 2015, Tate Modern). Paramana se sklicuje na nekropolitiko Achilla Mbembeja, »počasno umiranje« Lauren Berlant in biopolitiko Michela Foucaulta ter trdi, da umetniško delo 10,148,451 govori o kolektivnem subjektu ter kritizira sodobno nekropolitiko, medtem ko različice dela Tatlinov šepet #6 naslavljajo posameznike kot politične subjekte ter povežejo panoptični pogled in sodobno biopolitiko. Avtorica z analizo pokaže, da je umetniško delo Tanie Bruguera ustvarjeno tako, da se spoprime s specifičnimi političnimi ekonomijami, v katerih je predstavljeno, z dojemanjem političnosti dela in razlikami, ko je to predstavljeno v različnih političnih ekonomijah, ter s spoznanji, ki jih delo ponuja tem različnim ekonomijam. Dela Tanie Bruguera pogosto dosežejo več kot le lokalne in nacionalne vlade, njeno »simbolno delo z aktivističnimi parametri« pa je presenetljivo učinkovitejše od njenega aktivističnega dela. Bruguerina umetnost zatorej ponuja vpogled v prihodnost telesa v 21. stoletju.

Prenosi

Podatki o prenosih še niso na voljo.

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Prenosi

Objavljeno

2023-12-22

Kako citirati

Paramana, K. (2023). Oscilacija sodobnih teles med biopolitiko in nekropolitiko: spopad Tanie Bruguera s strukturami moči. Filozofski Vestnik, 44(2), 265–85. https://doi.org/10.3986/fv.44.2.12

Številka

Letn. 44 Št. 2 (2023): Telo v polju napetosti med biopolitiko in nekropolitiko: analiza prihodnosti protetičnega telesa v 21. stoletju

Rubrike

Telo afektov, (ne)človeške živali, performativnost v uporu proti zatiranju in rasističnimi sistemi belosti

Licenca

Avtorske pravice (c) 2023 Avtorji

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