Emancipiranje od (kolonialnih) genealogij tehnodružbenih omrežij ali preobrat razmerij s spreminjanjem plenilca v plen v filmu Nak režiserja Jordana Peela

Avtorji

  • Nina Cvar Department of Sociology, Faculty of Arts, University of Ljubljana; Laboratory of Multmedia, Faculty of Electrical Engineering, University of Ljubljana https://orcid.org/0000-0002-7404-2778

DOI:

https://doi.org/10.3986/fv.44.2.07

Ključne besede:

telo, rasa, algoritmična vladnost, računalniško nezavedno, evropocentrična matrica moči, Nak, Jordan Peele

Povzetek

Namen članka je kartirati sodobna tehnodružbena omrežja skupaj z razmejitvijo algoritmične vladnosti, računalniškega nezavednega in epistemične strukture evrocentrične matrice moči (ki jo preganja lastno ponavljanje nenehnega brezna grozot) ter poiskati geste upora. V nasprotju z napačnim prepričanjem kapitalističnega realizma, lahko te geste odpora najdemo povsod, tudi v filmu Nak Jordana Peeleja (2022). Peele z različnimi motivi, temami ter kulturnimi in filmskimi referencami ustvari podobo odpora, tj. podobo, ki se upira zgodovinski poti nasilja digitalne kolonialne matrice znanja. Zlasti v filmu Nak je zgodovina rasnega nasilja razgrnjena z osvetlitvijo razmerja med prepletenostjo kapitala in epistemičnim nasiljem, ki pa je utelešeno v vse požirajočem plenilskem neznancu iz vesolja (NLP). Toda Nak govori tudi o vizualiziranju utišanih zgodovin. S kamero ujeti NLP namreč pomeni pretrgati z modernostjo kot totalizirajočo onto-epistemologijo in v takšnem registru generirati lažni univerzalni subjekt Človeka.

Prenosi

Podatki o prenosih še niso na voljo.

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Objavljeno

2023-12-22

Kako citirati

Cvar, N. (2023). Emancipiranje od (kolonialnih) genealogij tehnodružbenih omrežij ali preobrat razmerij s spreminjanjem plenilca v plen v filmu Nak režiserja Jordana Peela. Filozofski Vestnik, 44(2), 161–80. https://doi.org/10.3986/fv.44.2.07