Telo kot množični medij v režimu prenosa v živo

Avtorji

DOI:

https://doi.org/10.3986/fv.44.2.03

Ključne besede:

biopolitika, nekropolitika, gore kapitalizem, režim prenosa v živo, spol, spolnost

Povzetek

Članek obravnava pomen telesa v njegovi materialni razsežnosti in v povezavi z njegovo transformacijo v kontekstu, ki ga določa večplastna konvergenca biopolitike (Foucault 1978–79), nekropolitike (Mbembe 2003), digitalne psihopolitike (Han 2014) ter »gore kapitalizma« (Valencia 2010). Izraz »gore« se navezuje na filmski žanr, ki prikazuje izjemno, brutalno nasilje, Valencia pa z »gore kapitalizmom« reinterpretira hegemonsko globalno ekonomijo v (geografskih) mejnih prostorih, zlasti v Tijuani na meji med Mehiko in ZDA. V članku raziskuje načine, na katere sodobno telo postane oblika množičnega medija za določene populacije, ki se odločijo privoliti v vlogo podjetnikov lastnih teles znotraj režima prenosa v živo (Valencia 2016, 2018). Avtorica analizira različne reprezentacije ženskosti, ki prevzamejo fizično obliko globalno-lokalnih teles, ki v prizadevanju, da bi ustregla kapitalističnim zahtevam ter binarnim koreografijam spola in spolnosti, postanejo sama po sebi poslovni subjekti.

Prenosi

Podatki o prenosih še niso na voljo.

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Prenosi

Objavljeno

2023-12-22

Kako citirati

Valencia, S. (2023). Telo kot množični medij v režimu prenosa v živo. Filozofski Vestnik, 44(2), 53–70. https://doi.org/10.3986/fv.44.2.03

Številka

Letn. 44 Št. 2 (2023): Telo v polju napetosti med biopolitiko in nekropolitiko: analiza prihodnosti protetičnega telesa v 21. stoletju

Rubrike

Telo (nekro) politike

Licenca

Avtorske pravice (c) 2023 ZRC-SAZU

Creative Commons licenca

To delo je licencirano pod Creative Commons Priznanje avtorstva-Nekomercialno-Deljenje pod enakimi pogoji 4.0 mednarodno licenco.

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