Anatomija sveta

Avtorji

  • Magdalena Germek Independent researcher, Ljubljana

DOI:

https://doi.org/10.3986/fv.42.2.07

Ključne besede:

Badiou, svet, anatomija sveta, resnica, Rembrandt, Donne

Povzetek

V članku se Badioujevega koncepta sveta lotevamo skozi nekoliko nenavadno metaforo »anatomije sveta«. Anatomija sveta nam omogoča pristop h konceptu sveta skozi idejo njegove konstitucije, arhitekture, strukture – torej anatomije. Da pa bi lahko izvedli anatomijo sveta – kot pokažemo v prvem delu besedila – potrebujemo truplo sveta, svet mora namreč umreti. Izhajajoč iz Badioujeve filozofije pokažemo, da je svet v svojem objektivnem obstoju indiferenten do vprašanja življenja in smrti. Ali svet živi ali umre, pa je odvisno od realizacije resničnostnih postopkov v svetu, na podlagi katerih se svet subjektivira. Svet mortificirajo reaktivne in obskurne forme subjektivnosti, ki aktivno delujejo proti realizaciji resnic v svetu. Skozi umetniške primere prikaza anatomije pri Rembrandtu van Rijnu in Johnu Donnu odpremo tudi vprašanje napetega odnosa med truplom sveta (s perspektive znanstvenega postopka resnice) in življenjem sveta (s perspektive umetniškega postopka resnice). Čeprav umetnost pogosto vidi znanost kot nekaj, kar svet ubije, je naša zaključna poanta v tem, da lahko svet zaživi tudi skozi znanost.

Prenosi

Podatki o prenosih še niso na voljo.

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Objavljeno

2021-12-31 — posodobljeno 2022-04-06

Verzije

Kako citirati

Germek, M. (2022). Anatomija sveta. Filozofski Vestnik, 42(2). https://doi.org/10.3986/fv.42.2.07 (Original work published 31. december 2021)

Številka

Rubrike

The Concept of World in Contemporary Philosophy