The Genealogy-Complex. History Beyond the Avant-Garde Myth of Originality

Authors

  • Sascha Bru

Keywords:

European avant-gardes, presentism, art and literary history, modernism

Abstract

This essay argues against Rosalind Krauss’ assertion that the classic avant-gardes’ selfacclaimed originality was an ahistorical myth. Constructing at times anachronistic genealogies tying past movements and individual artists to the present, the avant-gardes, perhaps paradoxically, were one of the first in modern art and literature to historicize their own originality. By way of a survey of a number of such genealogies stemming from futurism, Dadaism, surrealism and constructivism, this essay unearths the presentist nature of the avant-gardes and suggests that the many modes of representing history developed by the avant-gardes should be further scrutinized for their historiographical potential.

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Published

2016-02-07

How to Cite

Bru, S. (2016). The Genealogy-Complex. History Beyond the Avant-Garde Myth of Originality. Filozofski Vestnik, 35(2). Retrieved from https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3034

Issue

Section

Modernism Revisited