Architecture and the Distribution of the Sensible
DOI:
https://doi.org/10.3986/fv.42.2.12Keywords:
architecture, art, aesthetics, politics, space, form, regimes of art, world, fiction, Adorno, RancièreAbstract
Following Theodor W. Adorno’s reading of architecture as a purposeful art, the article explores how the social dimension is inscribed into the purposes ascribed to architecture by establishing a relation between what Adorno calls a sense of architectural space and the distribution of the sensible as defined by Jacques Rancière. Considering Rancière’s understanding of the political dimension of different “regimes of art”, the article attempts to show how similar observations can be made regarding architecture. What implications do these regimes of architecture have for the constitution of a common world, given architecture’s vast spatio-temporal presence?
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References
Adorno, Theodor W., “Functionalism Today”, trans. J. Newman and J. Smith, in N. Leach (ed.), Rethinking Architecture: A Reader in Cultural Theory, London and New York, Routledge, 2005, pp. 5–18.
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Rancière, Jacques, The Politics of Aesthetics: The Distribution of the Sensible, trans. G. Rockhill, London and New York, Continuum, 2011.
Rancière, Jacques, Modern Times: Essays on Temporality in Art and Politics, Zagreb, Multimedijalni institut, 2017.
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- 2022-04-06 (2)
- 2021-12-31 (1)
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