The Implication of Images in the Revival of Aesthetics

  • Anthony J. Cascardi

Abstract

Contemporary aesthetic theory is embedded in a culture dominated by images, and so would seem to require a reversal of Plato's critique of image-making. In adopting this stance, aesthetic theory follows in the footsteps of Nietzsche, whose own project was conceived as a reversal of Platonism. But the critique of Plato that underpins these views is based on a tradition that has misconstrued some of Plato's fundamental ideas. For this reason, the standard critique of Platonism is ineffective as a critical response to the culture of images. Aesthetic theory needs instead to produce a critique of the contemporary image-world based on the view that it emerges from a transformation in the paradigm of production. Images are no longer merely a part of the world that is produced, but themselves have a crucial role in the process of production.

Downloads

Download data is not yet available.
Published
2007-01-01
How to Cite
1.
Cascardi AJ. The Implication of Images in the Revival of Aesthetics. FV [Internet]. 2007Jan.1 [cited 2020Jul.7];28(2). Available from: https://ojs.zrc-sazu.si/filozofski-vestnik/article/view/3181
Section
The Revival of Aesthetics