How Many Wars?
DOI:
https://doi.org/10.3986/fv.45.2.06Keywords:
post-Yugoslav space, state of war(s), Women's Antifascist Front, Women in Black, aesthetics of resistance, politics of affectAbstract
The article deals with contemporary war history, the aesthetics of resistance, and the politics of affect in the context of the post-Yugoslav space. Looking back at the armed wars of the 1990s, as well as the numerous wars still being waged by other means, it becomes clear that there is still no peace in this exhausted zone of geopolitical discomfort. The politics of (non)belonging to this space has oscillated for decades between conflicting affects, liminal zones, and the (im)possibilities of overcoming the permanent production of war through lasting peace. This ambivalent feeling of (non)belonging has led to various twists and shifts in post-Yugoslav art that have solidarized within the old and new geopolitical zones of discomfort and war(s). Using the post-Yugoslav art-based research of Adela Jušić and Blerta Heziraj, who are now involved with the Antifašistički front žena—AFŽ (Women’s Antifascist Front), as well as a long-durée activist performance by Žene u crnom (Women in Black), the text accordingly points to a common ground of politics and art that uncompromisingly resist the governing (post-)Yugoslav discourses of never-ending wars.
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