Koliko vojn?
DOI:
https://doi.org/10.3986/fv.45.2.06Ključne besede:
postjugoslovanski prostor, vojno stanje, Antifašistična fronta žensk, Ženske v črnem, estetika odpora, politika afektaPovzetek
Članek se ukvarja s sodobno vojno zgodovino, estetiko upora in politiko afekta v kontekstu postjugoslovanskega prostora. Če pogledamo nazaj na oborožene vojne v devetdesetih letih prejšnjega stoletja, pa tudi na številne vojne, ki se še vedno vodijo z drugimi sredstvi, postane jasno, da v tem izčrpanem območju geopolitičnega nelagodja še vedno ni miru. Politika (ne)pripadnosti temu prostoru je desetletja nihala med konfliktnimi afekti, liminalnimi conami in ne/možnostmi preseganja permanentne produkcije vojne s trajnim mirom. Ta ambivalenten občutek (ne)pripadnosti je povzročil različne zasuke in premike v postjugoslovanski umetnosti, ki so se solidarizirale znotraj starih in novih geopolitičnih območij nelagodja in vojn(e). Na podlagi postjugoslovanskega umetniškega raziskovanja Adele Jušić in Blerte Heziraj, ki se ukvarjata z Antifašistično fronto žensk – AFŽ, ter dolgoletnega aktivističnega performansa skupine Žene u crnom (Ženske v črnem), besedilo torej kaže na stičišče politike in umetnosti, ki se brezkompromisno upirata vladajočim (post)jugoslovanskim diskurzom neskončnih vojn.
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