Umetnost improvizacije v literaturi in glasbi

Marijan Dović

Povzetek

Razprava obravnava umetnost improvizacije v literaturi in glasbi. Na primeru dveh visoko razvitih oblik sodobne improvizacije – péte poezije baskovskih bertsolarijev in jazza – raziskuje možnosti za vzporejanje improvizacijskih praks v dveh umetnostnih panogah.

Ključne besede

literatura in glasba; improvizacija; jazz; ljudsko pesništvo; baskovska književnost; bertsolaritza

Celotno besedilo:

PDF

Literatura

Amalietti, Peter. Temelji jazzovske improvizacije. Ljubljana: Amalietti, 1997.

Baker, David. Jazz Improvisation. A Comprehensive Method of Study for All Players. Chicago: Maher, 1969.

Bergonzi, Jerry. Developing a Jazz Language. Inside Improvisation Series 6. Rottenburg: Advance Music, 2003.

Berkowitz, Aaron L. The Improvising Mind: Cognition and Creativity in the Musical Moment. New York: Oxford University Press, 2010.

Burrows, Jared B. »Musical Archetypes and Collective Consciousness: Cognitive Distribution and Free Improvisation.« Critical Studies in Improvisation / Études critiques en improvisation 1.1 (2004). www.criticalimprov.com. Dostop september 2014.

Collins, Derek. »Homer and Rhapsodic Competition in Performance.« Oral Tradition 16.1 (2001): 129–167.

Dean, Roger T. in Freya Bailes. »Cognitive Processes in Musical Improvisation: Some Prospects and Implications.« Improvisation, Community, and Social Practice (2010). www.improvcommunity.ca/. Dostop september 2014.

Egaña, Andoni. »The Process of Creating Improvised Bertsos.« Oral Tradition 22.2 (2007): 117–142.

Eizagirre, Estitxu. »Interview with Maialen Lujanbio Zugasti.« Oral Tradition 22.2 (2007): 187–197.

Esterhammer, Angela. Romanticism and Improvisation, 1750–1850. Cambridge: Cambridge University Press, 2008.

Foley, John M. »Basque Oral Poetry Championship.« Oral Tradition 22.2 (2007): 3–11.

Foster, H. Wakefield. »Jazz Musicians and South Slavic Oral Epic Bards.« Oral Tradition 19.2 (2004): 155–176.

Garzia, Joxerra. »History of Improvised Bertsolaritza: A Proposal.« Oral Tradition 22.2 (2007): 77–115.

Gillespie, Luke O. »Literacy, Orality, and the Parry-Lord ‘Formula’: Improvisation and the Afro-American Jazz Tradition.« International Review of Aesthetics and Sociology of Music 22.2 (1991): 147–164.

Golež Kaučič, Marjetka. Ljudsko in umetno – dva obraza ustvarjalnosti. Ljubljana: ZRC SAZU, 2003.

Harris, William. »Improvisation: The New Spirit in the Arts.« Humanities and the Liberal Arts. http://community.middlebury.edu/~harris/improvisation.html. Dostop september 2014.

Harvilahti, Lauri. »The Production of Finnish Epic Poetry – Fixed Wholes or Creative Compositions?« Oral Tradition 7.1 (1992): 87–101.

Haydar, Adnan. »The Development of Lebanese Zajal: Genre, Meter, and Verbal Duel.« Oral Tradition 4.1–2 (1989): 189–212.

Henke, Robert. »Orality and Literacy in the Commedia dell’Arte and the Shakespearean Clown.« Oral Tradition 11.2 (1996): 222–248.

Keller, Gary. The Jazz Chord and Scale Handbook: A Comprehensive Organizational Guide to Scales and Chords Found in Jazz and Contemporary Music. Rottenburg: Advance Music, 1998.

Liebman, David. A Chromatic Approach to Jazz Harmony and Melody. Rottenburg: Advance Music, 1991.

Lord, Albert B. The Singer of Tales. Cambridge: Harvard University Press, 1960.

Mantie, Roger. »Schooling the Future: Perceptions of Selected Experts on Jazz Education.« Critical Studies in Improvisation / Études critiques en improvisation 3.2 (2008). www.criticalimprov.com. Dostop september 2014.

Martin, Henry. Charlie Parker and Thematic Improvisation. Lanham: Scarecrow Press, 1996.

McGee, Timothy J., ur. Improvisation in the Arts of the Middle Ages and Renaissance. Kalamazoo: Western Michigan University, 2003.

Middleton, Andy. Melodic Improvising. Rottenburg: Advance Music, 1998.

Mouillot, François. »Resisting Poems: Expressions of Dissent and Hegemony in Modern Basque Bertsolaritza.« Critical Studies in Improvisation / Études critiques en improvisation 5.1. (2009). www.criticalimprov.com. Dostop september 2014.

Nettl, Bruno et al. »Improvisation.« Grove Music Online, Oxford Music Online. www.oxfordmusiconline.com. Dostop september 2014.

O’Gallagher, John. Twelwe-Tone Improvisation. A Method for Using Tone Rows in Jazz. Mainz: Advance Music, 1998.

Parry, Milman. »Studies in the Epic Technique of Oral Verse-Making. I. Homer and Homeric Style.« Harvard Studies in Classical Philology 41.80 (1930): 73–147.

Parker, Charlie. Charlie Parker Omnibook, trans. Jamey Aebersold in Ken Sloane. Hollywood: Atlantic Records, 1978.

Pressing, Jeff. »Improvisation: Methods and Models. Generative Processes in Music.« J. Sloboda, ur. The Psychology of Performance, Improvisation and Composition. Oxford: Clarendon Press, 1988. 298–345. http://musicweb.ucsd.edu/~sdubnov/Mu206/improv-methods.pdf. Dostop oktober 2014.

Sbait, Dirghām H. »Palestinian Improvised-Sung Poetry: The Genres of Hidā and Qarrādī – Performance and Transmission.« Oral Tradition 4.1–2 (1989): 213–235.

Werner, Kenny. Free Play (13 Musical Landscapes). Jamey Aebersold Play-A-Long 104. New Albany: Jamey Aebersold Jazz, 2002.