Heterobiografija, hipokritika in etika avtorske odgovornosti

Avtorji

  • Lucia Boldrini

Ključne besede:

literarna teorija, avtor, avtorstvo, smrt avtorja, De Man, Paul, avtobiografska literatura, heterobiografija, avtorska odgovornost

Povzetek

Z utemeljitvami, zakaj »heterobiografija« (fiktivna avtobiografija zgodovinskih oseb) umešča subjekt v središče kompleksnih razmerij med kategorijami zgodovinskega, fikcijskega, kritiškega, pravnega in etičnega, članek obravnava nekatera ključna vprašanja, ki jih odpirajo tovrstna besedila.

Literatura

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Corngold, Stanley. »On Paul de Man’s Collaborationist Writing.« Ur. Hamacher, Hertz in Keenan. Responses. 80–84.

De Man, Paul. »Autobiography as De-Facement.« The Rhetoric of Romanticism. New York: Columbia University Press, 1984. 67–81.

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– – –. Wartime Journalism, 1939–1943. Ur. Werner Hamacher, Neil Hertz in Thomas Keenan. Lincoln in London: University of Nebraska Press, 1988.

Derrida, Jacques. »Comme le bruit de la mer au fond d’un coquillage. La guerre de Paul de Man.« Mémoires pour Paul de Man. Pariz: Galilée, 1988. 147–232.

– – –. The Ear of the Other: Otobiography, Transference, Translation. Lincoln in London: University of Nebraska Press, 1985.

Hamacher, Werner, Neil Hertz in Thomas Keenan (ur.). Responses on Paul de Man’s Wartime Journalism. Lincoln in London: University of Nebraska Press, 1989.

Lejeune, Philippe. Le pacte autobiographique. Pariz: Seuil, 1975.

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Rosenheim, Shawn. The Cryptographic Imagination: Secret Writing from Poe to the Internet. Baltimore in London: Johns Hopkins University Press, 1997.

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Styron, William. The Confessions of Nat Turner. New York: Random House, 1967.

Yourcenar, Marguerite. Mémoires d’Hadrien. Œuvres romanesques. Pariz: Gallimard, 1982.

Objavljeno

2017-10-09